I wrote this in 2011. A decade had passed; there was still a poem to be written.
YEARS LATER, ON THE OTHER SIDE OF THE COUNTRY 1. Airplanes When they pass low, loom larger than toy-size overhead, I breathe deep and watch them across the sky until their route confirms itself; southeast descending to the airport, west and rising over the Pacific, the everyday predicted paths of flight. As if my gaze compelled their altitude and bearings, signaled them safe away from skyline, bridges, horror; as if the act of bearing witness -– nothing taken for granted –- changes what happens, even when nothing does. 2. Dust Made mostly of human skin cells, they tell us, with some street grit mixed in, and while I flick a layer of my discarded self from books, piano, desk, I wonder how the housekeepers managed in that other city, all those weeks when so much was discarded, when the street grit was ashen, when every dust-cloth became a reliquary, a memento mori. 3. Firehouse Morning and night, on my way into the world and on my way home, I pass the two-engine house, its flagpole the tallest elevation on our block, and when its flag is at half-mast, I often know why; if not, I tell myself to read the news more closely for another story of fire (often) and courage, for the name and last response of another first responder. Some mornings, though, I picture someone in that house waking in grey dawn light on fire with memory, getting up before the others to run the colors down to mourning-height, then shivering in the smoke of early fog, heading indoors again to start the coffee. 4. Distance In 1989, last time the earth shook really hard in San Francisco, I was camped two hundred miles inland on the granite Sierras with my father and sister, and when we came out of the hills to my father’s house and heard the four day’s news of rubble, flames, a broken bridge, my sister and I tossed dusty gear pell-mell into her car, headed west and south and home as fast as her good sense would let her drive -- and, arriving, found the normal city traffic, crumbled plaster and window glass on my apartment floor, a small brave street-fair humming outside, and everyone telling stories, the same ones, over and over again. Eighteen years later, when my sister called me from our father’s house to tell me where she had found his body and what she had done next, and that there was no need for me to catch a bus north, she would drive home the next day -– when we hung up, what I felt most, of all there was to feel, was the wish to be there, in a house I had never wished to visit while my father lived, in case at this late date there might be some need after all. And though I have never traveled to Manhattan, or toured the Pentagon, or driven through Shanksville, though I know no one who died that day those years ago, though being present that day, God knows, would have changed exactly nothing, still, then and odd days since, I have watched myself standing quiet, a safe distance from catastrophe, and longed for any skill, any strength that might excuse my filling space reserved for survivors, any witness to bear to help them bear survival, any answer for the unreasoned conviction that chokes me like dust, flaps in my brain like a mourning flag: I should have been there. I should be there now.
[You can listen to an audio reading of the poem using the little widget above the photograph.]
We have done what we can to accommodate the memory of it. We have raised monuments and new buildings. We have found an innocuous name for the date, one we can print on calendars. We have, oddly (or maybe it’s not so odd), begun to use it as a metric to measure other losses, other catastrophes: every day, or week, or month, as many killed by this new disaster as died on 9/11.
When we are extra brave, or extra despairing, we may talk to each other about the lies and violence that the events of that day were used to justify. Sometimes we can list the things we have learned since it happened; other times, we’re not sure we’ve learned a thing.
Mostly, we remember. Mostly, we listen to each other’s stories, and tell our own.
Yes, it persists. It is the closest we've come, in our lifetimes, to war on our soils. Instead, we turned it into a foreign war. Thanks to you, and to any of us who can be honest with ourselves and each other. Blame is a slippery slope. Beautiful words, Elizabeth. I'm sorry for the loss of your dad.
Some wonderful poems here, Elizabeth. Airplanes and Firehouse are especially fine.